As long time readers likely know, I love anything dealing with a giant shark. I dry myself every morning after my shower with a towel with giant sharks on it. I have a giant stuffed shark that I sleep with. I've been devouring (pun intended, natch) Steve Alten's fiction concerning Megalodon this past month. And I watch anything and everything that has to do with sharks, giant or otherwise. So this week, I have spent a majority of my time watching, amongst other things, Danny Lerner's shark movies (Shark Attack, Shark Zone, and Raging Sharks). He also directed Sharks in Venice.
Aspiring filmmakers take note; Lerner's movies are an exercise in the following:
-If someone gives you a giant shark head puppet or you come into possession of a giant shark head puppet some sort of way, legal or otherwise, make movies with it! Make lots of movies with it!
-Use the same giant shark head puppet in three different movies with the same effect. Don't change anything about it. It's perfect the way it is, complete with apparent hole in the upper mouth. It doesn't matter if the puppet has holes in it - fill that in with extremely noticeable CGI in post.
-Use same stock footage repeatedly. And I do mean repeatedly. Who cares if it's obvious! If you found it in the stock footage library archives and it somewhat fits with your movie, by all means, use the hell out of it! Use it ten, fifteen times in the same movie! Hell, use scenes from your other giant shark movies in the new, somewhat dissimilar, shark movie you're currently directing! Why not?! Save time and money!
-Intertwine CG sharks, giant shark puppet heads, and stock footage. It should not matter that the CG sharks look nothing like those in the stock footage or like that of the puppet. By seeming to not care about these details, you seem like a artiste.
-If your usual giant shark movies are seemingly a bit on the stale side, integrate an alien subplot involving cold fusion, a black ops rogue fighter, and Corbin Bernsen. You can probably find stock footage of aliens somewhere or maybe your producer friend shot some footage of aliens for another movie, so you could again, save time and money by using those sequences shot for another movie, all the while injecting life into another sharks running amok sequence.
-Every movie should open the exact same way - with an aerial shot of a plane flying FAST over the sea. Just shoot it once and edit out the casts' names later on. Once again, money and time saver.
Thank you, Mr. Lerner, for helping me become a better filmmaker. If I, too, came into possession of a giant shark puppet head (*fingers crossed*), I would take that as a sign from somewhere that I needed to get into a big old tank full of water with a camera and make my own giant shark movie. It doesn't matter that these movies are hardly technically proficient, involve stupid action sequences that go on for way too long (sometimes I forget I'm watching a giant shark flick), or have serious plot holes, continuity errors, and repetition of obvious stock footage. When I get off work, all I want to do is come home, curl up with a nice big vodka soda, and watch some CG sharks piss off Casper van Dien. I seriously could not ask for anything more from my life.
Side note: I did also recently watch Mega Shark vs. Giant Octopus, but since Lerner didn't have anything to do with that movie, I didn't think it warranted discussion here. I freakin' loved it; it actually far surpassed the aforementioned, as far as the schlock factor goes, however the internets are currently all a-flutter about it, so I figured I didn't need to throw my two cents in at this time.
Also slated for this week's unofficial Shark Attack week is the Lerner-produced Shark Attack 3: Megalodon. You know, since I've been reading Alten's Meg series, I've become obsessed with Megalodons. They are just so fucking scary. Could you even fucking imagine a shark that's 75 feet long and has a dorsal fin that's some odd seven feet high? The teeth, of which it has at least 24 rows, are over a foot long and made of bone that could cut through a diamond. A Megalodon could snap a 2,800 pound Great White right in half! A shark that big is about the scariest thing I could ever conceive. I can't even wrap my brain around seeing something like that! Jaws, Schmaws. I know Lerner's Meg movie will be peppered with ridiculous CG, but if someone made a realistic (and very expensive) adaptation of one of Alten's books, I think I would die! I wouldn't even be able to go see it! I would literally throw up. That's how scared I would be.
You know, it's nice (and refreshing) to actually still be scared of something in horror, since we all get kinda jaded being fanatics and all. We forget sometimes what it's like to actually be scared of the movies we watch and the books we read. Megalodons scare the bejeesus outta me and that's a good time!
While i do NOT share your love of all things giant-sharky and toothy, i appreciated your review. I know Shark Attack is utter tosh, but as it features sharks, it still gives me the heeby-jeebies... That and casper Van Dien...
ReplyDeleteOh, sure...the sharks are nice and all. But I think it's really Mr. Lerner's casts that are most impressive. Who else can boast luring the talents of Corin Nemec, Stephen Baldwin, and Casper Van Dien to their projects?
ReplyDelete-Billy
What is it about Casper Van Dien that is so unsettling?
ReplyDeleteGlad to hear you still enjoying the "Meg" novels. If the film is done well, I'm sure it's going to kick ass and things are still looking pretty good for the project at present, so here hoping we might finally get a decent mainstream shark attack movie, seeing how the last one was "Deep Blue Sea" which seems like a lifetime ago!
ReplyDelete"Shark Attack" I found disapointing like "Shark Swarm" mainly because of the sharks being pushed to the background, till the point that they could be pretty much written out.
As for "Mega Shark Vs. Giant Octopus" I think it does go for the record of looped footage, to the point that it even makes for a fun drinking game (just drink when you see a piece of looped footage) and bizzarly it's not just CGI footage but regular footage aswell, which is just really lazy film making.
As for Casper Van Dien, might just be a lack of shame, with what he attaches himself to.
Cool Post!
Thanks to you, Elwood, as I know I've mentioned to ya before, I never even would have gotten into Steve Alten had it not been for your love of killer sharks post :)
ReplyDeleteI love Deep Blue Sea - it's destined to go down in history as a great mainstream shark flick, mainly in part to Sam Jackson's stellar speech and then get eaten scene. There are few scenes quite as powerful, hehe.
I've got Red Water in the queue to watch. Speaking of having no shame, Lou Diamond Phillips anyone?
Thanks everyone for your comments! I love talking killer shark movies/novels!
Van Dien's toothy grin would put any Great White to shame! I came across a myspace page i thought you might be interested in (if you haven't already seen it). Spanish composer Marco Werba is campaigning to score the Meg film... He's written a few demos which you can listen to here... http://www.myspace.com/megmusicdemos
ReplyDeleteHave a nice weekend. :)
I will definitely check out Marco Werba's myspace page. Very cool. Thanks, James!
ReplyDeleteStill havent seen any of the films in this series outside of the few select scenes floating around Youtube from SA3. Been wanting to see them, i just cant bring myself to pay for them.. But ::dun dun DUN:: the wife just got Netflix, so there may be an amiable solution after all..
ReplyDeleteGreat review Jenn!
Thanks, Carl. Yes, Netflix has definitely saved me some coin - I don't think I would want Raging Sharks in my permanent collection.
ReplyDeleteIf you have not seen it yet, watch Shark Attack 3 for some real comedy. The second installment is pretty funny too but nothing tops the third.
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